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Analysis Of Bruce Norris s The Play - 1306 Words

In the play Clybourne Park by Bruce Norris, there is a deep contrast in the achievement of the American dream as seen in A Raisin in the Sun. Despite Norris play being inspired by Hansberry’s 1959 classic, his play gave the perception of white people and how they view the other races in America. Norris, who is white, illustrates that race is a subject that should be freely discussed. The play that is set in two acts that are 50 years apart portrays the American dream of the middle class Americans (Norris 26). The American dream for this people is to have the power of being elite on grounds of their color. In the play, Norris portrayed the white people as hypocrites. After getting a house in the suburbs where they are assured of no†¦show more content†¦This also adds to the point that the white people of Clybourne were hypocrites because they acted as if black people made them uncomfortable (Norris 87). In light of this, it is also important to note that the white peo ple behaved as racists because they felt like their territory, Clybourne Park, had been threatened. This entitlement is part of the reason the whites value the achievement of the American dream. In A Raisin in the Sun, a stronger will to achieve the American dream is portrayed by each of the characters in their way. This is because despite their race, in each member of the Younger s family lies in the dreams and aspirations for a better life. It is important to note that although each character has his or her perspective on what a better life is, it is not confined to their race since the underlying motivation is the same to everyone. Mama, for instance, is a single parent after the death of her husband. At the beginning of the play, she is portrayed as the head of the family although she would prefer it if the head were a man (Hansberry 21). Her dream is that her son Walter will mature up and take over the role of heading the family. In addition, she also has big dreams for her deceased husband insurance money. She plans to invest the money for the benefit of her whole family instead of spending it on herself. From a long line

Sympathy For Macbeth Essay Research Paper A free essay sample

Sympathy For Macbeth Essay, Research Paper A calamity is a play that involves the tragic ruin or death of the chief character in the drama. Shakespeare s The Tragedy of Macbeth, is the narrative of a thane, Macbeth, who murders his male monarch, Duncan, for personal additions. Despite Macbeth s negative properties, ( greed, corruptness, paranoia, etc. . . ) the reader commiserations Macbeth. Shakespeare forces the audience to respond sympathetically to Macbeth through usage of Macbeth s actions, duologue, and passion. Judging Macbeth superficially by his actions alone leaves the reader no pick but to see him evil and immoral ; yet, when one examines the full presentation of the character and understands his mental torment, a feeling of understanding is evoked. Throughout the narrative there is a feeling of animus toward Macbeth in response of his hurtful actions. However, scenes uncovering Macbeth s more admirable side balance that negative feeling. One case where the reader feels commiseration for Macbeth appears in the duologue instantly before Macbeth decides whether or non to kill King Duncan. We will write a custom essay sample on Sympathy For Macbeth Essay Research Paper A or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Macbeth is unsure of the morality of the slaying. During much self-deliberation he agonizes in the soliloquy, I am his kinsman and his topic, strong both against the title ( Act I, Scene two ) . While Macbeth contemplates whether slaying Duncan is executable, Lady Macbeth convinces Macbeth he would slay Duncan if he were genuinely courageous and masculine. Lady Macbeth goes on to note that if he murders Duncan, Macbeth would be so much more the adult male ( Act I, Scene seven ) . A weak Macbeth gives in to his married woman s worrying and use and reluctantly agrees to take part in the slaying. The audience feels sympathy for an insecure Macbeth as he begins his coiling into ultimate devastation. Another case where Macbeth seems weak and pathetic is at the feast held in his award. Before the dinner party begins, Macbeth orders the blackwash of his friend Banquo. After Banquo is killed, his shade attends Macbeth s feast yet is seeable to merely Macbeth. The concatenation of events that occurs at the party lends sympathy for Macbeth. His deteriorating mental province becomes known to all when Macbeth foremost beholds the shade. He cries out to the invitees asking who has played the cruel fast one. Macbeth in horror cries to the shade, Thou canst say I did it. Never shake thy gory locks at me ( Act III, Scene four ) . Finally Macbeth goes into a fury and cowers before the shade of Banquo imploring it to to discontinue my sight! Let the Earth conceal thee! ( Act III, Scene four ) . Meanwhile, the invitees, unmindful to the shade, ticker Macbeth s fit and his kick. The reader feels commiseration for a defenseless Macbeth as it becomes apparent Macbeth s mental balance is decreasing, and this shade is a direct consequence of Macbeth s guilty scruples. Macbeth, who was one time a strong, righteous character, has turned into a paranoid shell of a adult male. Possibly Macbeth s most hopeless minute occurs minutes before he is slain by Macduff, a adult male of stronger fundamental law. The despair Macbeth exhibits in this concluding act allows the audience to sympathise with him. Until the last minute, Macbeth clings to a hope he will somehow last the besieging of his palace. Macduff crushes Macbeth s last hope when he informs Macbeth of his cesarian birth from a cadaver. This disclosure fulfills the prognostication of Macbeth s day of reckoning. Though Macbeth recognizes he will be butchered, he will non give or give up to Macduff ( Act V, Scene eight ) . Macbeth shows he is still really human and vows he will seek to the last ( Act V, Scene eight ) . The reader feels understanding for Macbeth because of his brave show of strong belief and chase of honest decease. Macbeth dies with self-respect by non seeking to contend his destiny, besides raising commiseration from the reader. Despite Macbeth s condemnable workss, Shakespeare makes the audience react with sympathy towards Macbeth. Macbeth, a victim of his ain aspiration, breaks down mentally going excessively paranoid. At the terminal of the drama, Macbeth attempts to recover some self-respect by deceasing with bravery and non contending his destiny. Indeed, when one examines the presentation of Macbeth and non merely his actions, one feels understanding for the tragic hero. 330

Harrison ainsworth rookwood an Essay Example For Students

Harrison ainsworth rookwood an Essay In the early nineteenth century, an interest in criminals and the common highwaymanarose in Europe. Many magazines in London, such as Bentley’s Miscellany, Fraser’sMagazine, and The Athenaeum featured sections that were reserved for stories abouthighwayman and their numerous adventures. The growing interest in the subject inspiredmany authors to write about the various exploits of popular criminals and highwayman. Some prominent examples of this type of novel were Edward Bulwer’s Paul Clifford(1830) and Eugene Aram (1832); Charles Dickens’ Oliver Twist (1838-39) and BarnabyRudge (1841); and William Harrison Ainsworth Rookwood (1834) and Jack Sheppard(1839-40). Several of these novels were based upon famous crimes and criminal careersof the past (Eugene Aram, Dick Turpin in Rookwood, and Jack Sheppard); others derivedfrom contemporary crime (Altick, 1970, p. 72). Although many authors chose to basetheir stories on criminals, William Harrison Ainsworthâ€⠄¢s Rookwood and Jack Sheppardare two of the best examples of the theme of ‘crime and punishment’ in the nineteenthcentury. Ainsworth started his writing career as a writer of Gothic stories for variousmagazines. Gothic elements are included in Ainsworth’s novel: the ancient hall, thefamily vaults, macabre burial vaults, secret marriage, and so forth (John, 1998, p. 30). Rookwood is a story about two half-brothers in a conflict over the family inheritance. The English criminal who Ainsworth decides to entangle in Rookwood was Dick Turpin,a highwayman executed in 1739. However, echoing Bulwer, Ainsworth’s explanation forhis interest in Dick Turpin (like Bulwer’s explanation in his choice of Eugene Aram as asubject) is personal and familial (John, 1998, p. 31). Though the basis of the novels seemsimilar, Ainsworth treated Dick Turpin in a different way than Bulwer treated EugeneAram. Ainsworth romanticizes history, but basically sticks to the facts (as far as he knewthem). Perhaps more importantly, Ainsworth does not pretend that the Turpin he inventsis the real Dick Turpin, nor does he attempt to elevate Turpin’s social class status (John,1998, p. 32). Ainsworth recalls lying in bed listening to the exploits of ‘Dauntless Dick’,as narrated by his father. Despite Ainsworth’s infatuation with the criminal, the realTurpin was no more interesting a character than an ordinary cat burglar. Besideshighway robbery, his affairs included stealing sheep and breaking into farmer’ houses,sometimes with the aid of confederates; and he took a turn at smuggling (Hollingsworth,1963, p. 99). Although Turpin appears in a considerable part of the novel, he really hasno effect on the plot. He stole a marriage certificate, but the incident was not important to the plot. Although Turpin does not have much to do with the plot, he helps the novelcelebrate the life of a highwayman. Ainsworth’s Turpin was essentially innocent andgood-natured, though courageous and slightly rash. He was very chivalrous andattractive in the eyes of the lady. An exampl e of Turpin’s personality is shown in anincident in Rookwood when he goes to a party at Rookwood Hall under the alias of Mr. Palmer. He makes a heavy wager against the capture of himself to a lawyer/thief catcher. Unreal as he was, Turpin undoubtedly was the cause Rookwood’s success. Rookwoodwent into five editions in three years. This fact shows that Ainsworth’s enthusiasm withcriminals found its favor with the public. The success of Dick Turpin in Rookwood repeated in Ainsworth’s Jack Sheppard(1839); in both cases the fact that the criminals were given a crude vitality andindividualizing speech entirely denied to other characters was taken to indicate theapproval of their actions (Horsman, 1990, p. 88). The novel was separated in three‘epochs’, 1703, 1715, and 1724. Its plot is less complicated than that of Rookwood. It isthe story of two boys that are brought up as brothers: one (Thames Darrell) virtuous andone, (Sheppard), good hearted but mischievous. Jack Sheppard, like Rookwood, waswritten as a romance, but not in a Gothic setting. Unlike Rookwood, the whole storycenters around Jack and his antics. Throughout the novel Ainsworth stuck to history asbest as he could. The real Jack Sheppard was born in 1702 and hanged at Tyburn onNovember 16, 1724, at the age of 21. He became a carpenter’s apprentice when he was15. The record shows that he never committed a crime until the age of 20. One maywonder why Ainsworth chose a character with such a short career in the crime business. .u7e5e0bb68ae22836c4db2dd64fa586de , .u7e5e0bb68ae22836c4db2dd64fa586de .postImageUrl , .u7e5e0bb68ae22836c4db2dd64fa586de .centered-text-area { min-height: 80px; position: relative; } .u7e5e0bb68ae22836c4db2dd64fa586de , .u7e5e0bb68ae22836c4db2dd64fa586de:hover , .u7e5e0bb68ae22836c4db2dd64fa586de:visited , .u7e5e0bb68ae22836c4db2dd64fa586de:active { border:0!important; } .u7e5e0bb68ae22836c4db2dd64fa586de .clearfix:after { content: ""; display: table; clear: both; } .u7e5e0bb68ae22836c4db2dd64fa586de { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7e5e0bb68ae22836c4db2dd64fa586de:active , .u7e5e0bb68ae22836c4db2dd64fa586de:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7e5e0bb68ae22836c4db2dd64fa586de .centered-text-area { width: 100%; position: relative ; } .u7e5e0bb68ae22836c4db2dd64fa586de .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7e5e0bb68ae22836c4db2dd64fa586de .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7e5e0bb68ae22836c4db2dd64fa586de .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7e5e0bb68ae22836c4db2dd64fa586de:hover .ctaButton { background-color: #34495E!important; } .u7e5e0bb68ae22836c4db2dd64fa586de .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7e5e0bb68ae22836c4db2dd64fa586de .u7e5e0bb68ae22836c4db2dd64fa586de-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7e5e0bb68ae22836c4db2dd64fa586de:after { content: ""; display: block; clear: both; } READ: Is ethnography a suitable meth EssayThe answer lies in the fact that the real Jack Sheppard was known for his daring escapesfrom incarceration. First, he escaped from a small prison called St. Giles Round-House. After he was reincarcerated, he and Edgeworth Bess (a supposed romantic interest ofSheppard at the time) escaped from Clerkenwell. The feats that probably made Sheppardmost famous was his two escapes from the famous Newgate prison. These escapes werethe ‘meat’ of the story. Ainsworth very rarely went into detail about the actual robberies,but described the escapes in great detail. For example, he escaped from Newgate the firsttime by slipping through a crack in the bars of the jail. One of the peculiarities of theevent was that only one bar was removed for the escape. Questions have been raisedwhether or not it is possible for any human, besides a child, to fit through a gap thatsmall. After the escape, Sheppard was caught and returned to Newgate 11 days later. OnOctober 15, he made his most famous escape of all, this time from a deeper part of thepenitentiary. Sheppard was left unattended during the evening. He slipped his unusuallysmall hands out of the heavy irons that bounded him, removed an iron bar fixed in achimney, and worked his way to freedom through an incredible series of locked doorsand walls. After he had escaped, he hid, but he left London only once. Jack went to seehis mother, while on her death bed she begs him to leave the country, but Jack refuses toleave. After she dies, Jack goes to her funeral, and in front of everyone bows at hismother’s grave. He is apprehended by authorities and never escapes from prison again. The personality of Jack Sheppard won the hearts of readers everywhere. Uponcompletion of the novel, it was dramatized at an incredible rate. Eight versions of thenovel were produced in Londonan unheard of number of dramatizations of that time. As a serial in Bentley’s Miscellany, Jack Sheppard ran for thirteen months, throughFebruary 1840. Bentley issued the book in three volumes in October 1839, shortly afterAinsworth had completed the novel. The sales were tremendous. Jack Sheppard sold3,000 copies in a week. Exactly why there was so much enthusiasm for these types of novels is a matterfor wonder. Ainsworth’s novels had, it is true, the elements to make a popular success: aspotless hero and an underdog to sympathize with, both pitted against a fearful villain; aglimpse of aristocracy, a suggestion of sex, hairbreadth adventures, and plenty of virtuousemotions (Hollingsworth, 1963, p. 140). Rookwood and Jack Sheppard are primeexamples of the ‘crimi nal’ theme that was popular in the early nineteenth